Mastering Darktable - Easily Learn Powerful Editing Techniques

On the surface, taking photos of cars seems easy enough. However, you can really take your automotive photography to the next level with a few simple capture techniques and some creative post-processing in darktable.

When your subject is old and historic, it may be desirable to give the entire image an aged, analog look. Using the color wheel, let's explore how to create an analogous color harmony and give and old-time look to this photo.

Scenes with a high dynamic range can be challenging to work with - either you risk blowing the highlights or the shadows are way too dark. Let's learn how to compress a high dynamic range scene in darktable using both filmic rgb and sigmoid to compare how each of these tone mapping modules works.

The mighty Sigiriya rises from the surrounding plains in dramatic fasion. This UNESCO World Heritage site is both impressive and beautiful to see. Let's look at how to bring out this beauty and detail in darktable.

Sunsets can have many fantastic colors, but they may not be very visible on the initial edit of an image. Let's explore how to bring sunset colors to life with this beautiful tropical silhouette.

Much of the advice for composition revolves around certain times of day (e.g. the Golden Hour or Blue Hour) or certain conditions (cloudy vs sunny, the angle of light, etc) in order to take interesting photos. To shoot during these conditions, you often need to devote a lot of time to planning and wait for just the right moment, but what if you don't have that kind of time? Often, your schedule may depend on other people or on other plans you have later which preclude you from sitting with your camera and tripod for hours. Can you still take interesting photos under these constraints, without the "ideal" conditions? The answer is "yes", though it requires practice and a keen sense of composition to find the creative shot. Let's examine some examples of how to practice what I call "incidental photography".

Shooting far-away subjects often results in haze, characterized by a loss of contrast and a loss of detail. Fortunately, sigmoid is well-suited to recover this contrast and pairs well with the haze removal, local contrast, or diffuse or sharpen modules to reverse the haze. Let's dive in and see how this works.

Let's see an example of how to take a decent photo and really drive attention to the subject using color and saturation.

A graduated neutral density filter (or GND) goes over your lens and reduces the brightness (typically for about half of the image) without changing the color temperature. This is useful in scenes with high dynamic range where you can't correctly expose all parts of the scene (because it contains more EVs than your camera can capture). Let's learn about physical GNDs as well as creating software GNDs in darktable.

Fall colors are a great opportunity to utilize analogous and complementary color harmonies in a scene. Let's see how to use the RYB color wheel to create a color harmony and bring fall scenes to life.

Darktable's powerful drawn masks and parametric masks let you quickly and easily make targeted edits to only part of an image. Let's learn how to use both types of masks and then make several example adjustments.

When shooting a scene with elements at a wide variety of distances from the camera, like a landscape, you can easily end up with some elements of the scene out-of-focus. Fortunately, by understanding the hyperfocal distance and using a wide-angle lens, you can easily ensure your photo is sharp and in-focus from front to back.

Sometimes a great shot involves pointing your camera in the direction of the sun. Even if it isn't actually present in the field-of-view, direct sunlight can still cause distortions in the image called lens flare. Fortunately, darktable provides some powerful tools for correcting these aberrations.

The new color equalizer module in darktable 4.8 brings an easy, scene-referred approach to targeted color adjustments using familiar hue, saturation, and lightness/brightness tabs.

Sometimes a composition is quite busy and it's hard to isolate focus on the main subject. Using selective color to make the subject stand out can not only quiet down the image but also add add an element of contrast to the scene. Let's look at several examples.

Maybe you just missed the peak colors of a sunset, or maybe you just want to apply an artistic interpretation to a photo. Darktable offers powerful and easy-to-use tools for blending new colors into a scene; let's take a closer look at some different techniques for how to do this.

It's hard to overstate the power of the tone equalizer module in darktable: it can perform tone adjustments on the whole image or only a certain luminance range and preserve details throughout the process. This module has a lot of options, which can seem intimidating at first (especially if coming from Adobe Lightroom), so let's look at several example images to see how to use it.

At first glance, the flower above might look fine. However, there is a hue shift going on which makes the flower look green/yellow even though it should be an orange/yellow. This phenomenon is present on a huge number of the JPEGs generated on-the-fly (also know as out-of-camera JPEGs) from smartphones and other devices.

When developing a photo, you may want to change the color of an object or set of objects in a scene while not altering other parts of the image. In this example, the autumn colors were just starting to change but would have appeared much more dramatic a week or two later. Let's show how we can use darktable with a couple of different methods to shift the scene to this later, more dramatic time period.

Using a circular polarizer and knowing how to selectively enhance contrast with the local contrast module can make reflections stand out and give an image a much more dramatic look.

The new sigmoid module in darktable 4.2 makes it easy to create dramatic black and white compositions. While there are many ways to achieve this effect in darktable, sigmoid makes it fast and easy.

Review multiple techniques for reducing chroma noise in the water of seascape scenes.

Adjusting the white balance of a photo is a fundamental skill needed when developing RAW files. In this tutorial, we take it a step further and show how to use darktable's powerful selective white balance to use different white balance settings on specific parts of the image. Typically, this would be used to correct the color from multiple light sources (each with different color temperatures), but in this case we'll use it to keep the subject neutral while adding a creative effect to the background.

Mastering the channel mixer allows you to not only adjust white balance, but also creatively color grade a photo to set the mood, change the luminosity, and make local adjustments to specific areas of the photo. In this example, we use color calibration to highlight a subject when the surrounding content, in this case the green foliage, is naturally brighter than the subject and thus pulls your focus away. We can counteract this using channel mixer in color calibration.

When you think of contrast, you are probably thinking of luminosity contrast, but color contrast can play an important role in creating a vibrant, dynamic image too.

Darktable's powerful parametric masks, combined with the ability to layer multiple instances of a module with a separate set of adjustments applied to each, makes it possible to quickly make high-impact edits. In this example, an additional exposure module directs the viewer's attention to the picnic table, the focal point of the image.

Quickly get started with the darktable scene-referred workflow using easy, step-by-step instructions. Learn the purpose of each step rather than just clicking buttons and moving sliders, so these actions become intuitive when developing your photos.