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<rss version="2.0"><channel><title>Avid Andrew - mastering-darktable</title><link>https://avidandrew.com/</link><description></description><lastBuildDate>Mon, 20 Apr 2026 11:45:00 -0500</lastBuildDate><item><title>Color Grading Leaves and Greens in Landscapes</title><link>https://avidandrew.com/color-grading-leaves.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/color_grading_leaves/flowers_after.webp" alt="final image of flowers and Matterhorn" /&gt;&lt;br/&gt;Green plants in landscapes don't always appear as green - they can range from shades of yellows to shades of blues depending on the lighting. In this tutorial, learn how to adjust these important shades to control the overall look of your landscape scene.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Mon, 20 Apr 2026 11:45:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2026-04-20:/color-grading-leaves.html</guid><category>mastering-darktable</category><category>rgb primaries</category><category>color balance rgb</category><category>color equalizer</category><category>tone equalizer</category><category>contrast equalizer</category><category>exposure</category><category>local contrast</category></item><item><title>Working With Contrast in The Highlights</title><link>https://avidandrew.com/contrast-highlights.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/contrast_highlights/bridge_after.webp" alt="final bridge at sunset image with contrast and color adjustments" /&gt;&lt;br/&gt; As &lt;a href="/agx-evolution-tone-mappers.html"&gt;we recently discussed&lt;/a&gt;, the new &lt;strong&gt;AgX&lt;/strong&gt; module gives you fine-grained control over the highlights. However, additional steps may be required to really bring out the details in very bright areas like the sky. Let's look at several techniques for enhancing contrast in the highlights below.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 11 Feb 2026 19:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2026-02-11:/contrast-highlights.html</guid><category>mastering-darktable</category><category>tone equalizer</category><category>contrast equalizer</category><category>local contrast</category><category>color balance rgb</category><category>color equalizer</category><category>AgX</category></item><item><title>Case Studies With AgX</title><link>https://avidandrew.com/case-studies-agx.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/agx/bird_after_preserve_hue.webp" alt="Final bird image" /&gt;&lt;br/&gt;Let's review a few case studies to see how to use the powerful new &lt;strong&gt;AgX&lt;/strong&gt; module in darktable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 18 Jan 2026 20:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2026-01-18:/case-studies-agx.html</guid><category>mastering-darktable</category><category>agx</category><category>color balance rgb</category><category>color calibration</category><category>colorize</category></item><item><title>The Darktable Scene-Referred Workflow With AgX</title><link>https://avidandrew.com/agx-workflow.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/agx_workflow/final.webp" alt="final Matterhorn image developed with AgX" /&gt;&lt;br/&gt;This post provides an overview of how to use the &lt;a href="https://docs.darktable.org/usermanual/development/en/overview/workflow/process/#scene-referred-workflow-a-new-approach"&gt;scene-referred workflow&lt;/a&gt; in darktable using easy, step-by-step instructions.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 21 Dec 2025 21:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-12-21:/agx-workflow.html</guid><category>mastering-darktable</category><category>AgX</category><category>lens correction</category><category>highlight reconstruction</category><category>color calibration</category><category>exposure</category><category>tone equalizer</category><category>local contrast</category><category>contrast equalizer</category><category>white balance</category><category>color balance rgb</category><category>denoise (profiled)</category><category>retouch</category><category>diffuse or sharpen</category></item><item><title>AgX, Color Shifts, and The Notorious 6 in Darktable</title><link>https://avidandrew.com/agx-color.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/agx_color/agx_preserve_hue_slider.webp" alt="AgX's preserve hue slider" /&gt;&lt;br/&gt;The new &lt;strong&gt;AgX&lt;/strong&gt; tone mapper and the older &lt;strong&gt;sigmoid&lt;/strong&gt; module both provide controls to adjust the color primaries of the image, but what exactly does that mean? What problem are these sliders solving? Let's examine how color shifts occur when luminance changes below.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 17 Dec 2025 18:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-12-17:/agx-color.html</guid><category>mastering-darktable</category><category>output color profile</category><category>input color profile</category><category>AgX</category><category>sigmoid</category><category>filmic rgb</category></item><item><title>AgX and The Evolution of Tone Mappers in Darktable</title><link>https://avidandrew.com/agx-evolution-tone-mappers.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/agx_tone_mappers/agx.webp" alt="the new agx module in darktable" /&gt;&lt;br/&gt;&lt;strong&gt;AgX&lt;/strong&gt;, the exciting new tone mapping module coming to darktable in December, is the natural evolution of the tone mappers that came before it. &lt;strong&gt;AgX&lt;/strong&gt; reduces distortions and gives unprecedented control over the entire tone curve. Learn more about the history of tone mappers in darktable and see what sets &lt;strong&gt;AgX&lt;/strong&gt; apart.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sat, 29 Nov 2025 20:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-11-29:/agx-evolution-tone-mappers.html</guid><category>mastering-darktable</category><category>agx</category><category>filmic rgb</category><category>sigmoid</category><category>base curve</category></item><item><title>Removing Unwanted Objects With Darktable's Powerful Retouch Module</title><link>https://avidandrew.com/retouch.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/retouch/field_after.webp" alt="Field with tree and distracting power lines removed" /&gt;&lt;br/&gt;Sometimes you have the opportunity for a great shot but it's blocked by a fence, tree, power lines, or other immovable objects in the foreground. It's often possible to remove these distractions using darktable's powerful &lt;strong&gt;retouch&lt;/strong&gt; module and significantly improve the image. Let's walk through a few examples.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 05 Nov 2025 18:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-11-05:/retouch.html</guid><category>mastering-darktable</category><category>retouch</category></item><item><title>Working With Subjects in Shade and Direct Sunlight</title><link>https://avidandrew.com/part-shaded.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/part_shaded/final.webp" alt="final version of the street scene with very high contrast" /&gt;&lt;br/&gt;These beautiful buildings were quite colorful, yet the vibrance of the colors is lost in this capture due to the extreme difference in contrast between the parts in direct sunlight and the parts in the shade. Let's see how to bring this scene to life so it more accurately reflects how it looked in person using darktable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Fri, 03 Oct 2025 09:40:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-10-03:/part-shaded.html</guid><category>mastering-darktable</category><category>exposure</category><category>tone equalizer</category><category>filmic rgb</category><category>local contrast</category><category>colorize</category><category>color equalizer</category></item><item><title>The Value of Bringing a Telephoto Lens</title><link>https://avidandrew.com/telephoto.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/telephoto/mountains_telephoto.webp" alt="scene of mountains with nice composition using telephoto lens" /&gt;&lt;br/&gt;They usually aren't light, and they certainly aren't small, but the unique perspective a telephoto lens brings makes it an indispensable part of your kit, even when traveling. Let's review some shots taken with a telephoto to see how we can justify its size and weight.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Mon, 01 Sep 2025 15:45:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-09-01:/telephoto.html</guid><category>mastering-darktable</category><category>local contrast</category><category>haze removal</category><category>color balance rgb</category><category>contrast equalizer</category><category>rgb primaries</category></item><item><title>Capturing a Waterfall in Lauterbrunnen</title><link>https://avidandrew.com/lauterbrunnen-waterfall.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/lauterbrunnen_waterfall/after.webp" alt="final analog version of the waterfall in Lauterbrunnen" /&gt;&lt;br/&gt;Let's explore how to showcase this beautiful waterfall in Lauterbrunnen along with the colorful rock surrounding it and the iconic church tower.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Thu, 17 Jul 2025 21:00:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-07-17:/lauterbrunnen-waterfall.html</guid><category>mastering-darktable</category><category>exposure</category><category>filmic rgb</category><category>tone equalizer</category><category>color equalizer</category><category>color balance rgb</category></item><item><title>Countless Ways To Use The Exposure Module</title><link>https://avidandrew.com/exposure.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/exposure/gnd_after.webp" alt="final version of the sunset over the Douro River" /&gt;&lt;br/&gt;At first glance, the &lt;strong&gt;exposure&lt;/strong&gt; module might seem quite basic. However, this module combined with darktable's powerful masking features can be used for a wide variety of purposes; let's explore these below.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 04 Jun 2025 22:00:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-06-04:/exposure.html</guid><category>mastering-darktable</category><category>exposure</category><category>tone equalizer</category><category>sigmoid</category><category>colorize</category><category>vignette</category></item><item><title>Spring Flowers and Color Harmonies</title><link>https://avidandrew.com/spring-flowers-color-harmonies.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/spring_flowers_color/white_after.webp" alt="white flower after color adjustments" /&gt;&lt;br/&gt;April showers bring May flowers, but what do May flowers bring? An article about color harmonies. Let's explore how color theory can help make these photos of spring flowers pop.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Thu, 15 May 2025 22:00:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-05-15:/spring-flowers-color-harmonies.html</guid><category>mastering-darktable</category><category>colorize</category><category>color equalizer</category></item><item><title>Taking Car Photography To The Next Level</title><link>https://avidandrew.com/car_photography.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/car_photography/after.webp" alt="final version of the Pontiac Firebird Trans Am" /&gt;&lt;br/&gt;On the surface, taking photos of cars seems easy enough. However, you can really take your automotive photography to the next level with a few simple capture techniques and some creative post-processing in darktable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 30 Apr 2025 21:45:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-04-30:/car_photography.html</guid><category>mastering-darktable</category><category>tone equalizer</category><category>sigmoid</category><category>color equalizer</category><category>color look up table</category><category>local contrast</category><category>color balance rgb</category><category>retouch</category><category>grain</category></item><item><title>Creating An Analog Look With A Historic Red Tram</title><link>https://avidandrew.com/analog-tram.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/analog_tram/after.webp" alt="final analog version of the red tram" /&gt;&lt;br/&gt;When your subject is old and historic, it may be desirable to give the entire image an aged, analog look. Using the color wheel, let's explore how to create an analogous color harmony and give and old-time look to this photo.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 06 Apr 2025 07:55:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-04-06:/analog-tram.html</guid><category>mastering-darktable</category><category>tone equalizer</category><category>diffuse or sharpen</category><category>exposure</category><category>colorize</category><category>color balance rgb</category><category>color equalizer</category></item><item><title>Working With High Dynamic Range Using Filmic RGB and Sigmoid</title><link>https://avidandrew.com/hdr.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/hdr/sigmoid_after.webp" alt="final sigmoid version of ocean scene" /&gt;&lt;br/&gt;Scenes with a high dynamic range can be challenging to work with - either you risk blowing the highlights or the shadows are way too dark. Let's learn how to compress a high dynamic range scene in darktable using both &lt;strong&gt;filmic rgb&lt;/strong&gt; and &lt;strong&gt;sigmoid&lt;/strong&gt; to compare how each of these tone mapping modules works.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Mon, 03 Mar 2025 22:45:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-03-03:/hdr.html</guid><category>mastering-darktable</category><category>filmic rgb</category><category>sigmoid</category><category>exposure</category><category>tone equalizer</category><category>color balance rgb</category><category>highlight reconstruction</category></item><item><title>Sigiriya Rising</title><link>https://avidandrew.com/sigiriya.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/sigiriya/after.webp" alt="final adjusted version of sigiriya rock" /&gt;&lt;br/&gt;The mighty &lt;a href="https://sigiriyafortress.com/"&gt;Sigiriya&lt;/a&gt; rises from the surrounding plains in dramatic fasion. This UNESCO World Heritage site is both impressive and beautiful to see. Let's look at how to bring out this beauty and detail in darktable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sat, 08 Feb 2025 07:45:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-02-08:/sigiriya.html</guid><category>mastering-darktable</category><category>sigmoid</category><category>tone equalizer</category><category>local contrast</category><category>diffuse or sharpen</category><category>contrast equalizer</category><category>color balance rgb</category><category>color equalizer</category><category>exposure</category></item><item><title>Palm Trees And Purple Skies At Sunset</title><link>https://avidandrew.com/palm-trees-sunset.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/palm_trees_sunset/after.webp" alt="palm tree silhouette after adjustments" /&gt;&lt;br/&gt;Sunsets can have many fantastic colors, but they may not be very visible on the initial edit of an image. Let's explore how to bring sunset colors to life with this beautiful tropical silhouette.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sat, 25 Jan 2025 07:30:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-01-25:/palm-trees-sunset.html</guid><category>mastering-darktable</category><category>denoise (profiled)</category><category>exposure</category><category>local contrast</category><category>color balance rgb</category></item><item><title>Practicing Incidental Photography</title><link>https://avidandrew.com/incidental-photography.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/incidental-photography/daibutsu_2.webp" alt="better composition of the Daibutsu" /&gt;&lt;br/&gt;Much of the advice for composition revolves around certain times of day (e.g. the Golden Hour or Blue Hour) or certain conditions (cloudy vs sunny, the angle of light, etc) in order to take interesting photos. To shoot during these conditions, you often need to devote a lot of time to planning and wait for just the right moment, but what if you don't have that kind of time? Often, your schedule may depend on other people or on other plans you have later which preclude you from sitting with your camera and tripod for hours. Can you still take interesting photos under these constraints, without the "ideal" conditions? The answer is "yes", though it requires practice and a keen sense of composition to find the creative shot. Let's examine some examples of how to practice what I call "incidental photography".&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sat, 04 Jan 2025 08:15:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2025-01-04:/incidental-photography.html</guid><category>mastering-darktable</category><category>local contrast</category><category>color balance rgb</category><category>color equalizer</category><category>tone equalizer</category></item><item><title>Cutting Through The Haze With Sigmoid</title><link>https://avidandrew.com/cutting-through-haze.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/haze/farm_after.webp" alt="final improved view of country farm without haze" /&gt;&lt;br/&gt;Shooting far-away subjects often results in haze, characterized by a loss of contrast and a loss of detail. Fortunately, &lt;strong&gt;sigmoid&lt;/strong&gt; is well-suited to recover this contrast and pairs well with the &lt;strong&gt;haze removal&lt;/strong&gt;, &lt;strong&gt;local contrast&lt;/strong&gt;, or &lt;strong&gt;diffuse or sharpen&lt;/strong&gt; modules to reverse the haze. Let's dive in and see how this works.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 22 Dec 2024 22:30:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-12-22:/cutting-through-haze.html</guid><category>mastering-darktable</category><category>sigmoid</category><category>haze removal</category><category>local contrast</category><category>diffuse or sharpen</category></item><item><title>The Tram Over The Bridge</title><link>https://avidandrew.com/tram-over-bridge.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/case_studies/tram_bridge/tram_bridge_after.webp" alt="final version of the tram on the bridge" /&gt;&lt;br/&gt;Let's see an example of how to take a decent photo and really drive attention to the subject using color and saturation.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Tue, 17 Dec 2024 22:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-12-17:/tram-over-bridge.html</guid><category>mastering-darktable</category><category>tone equalizer</category><category>filmic rgb</category><category>local contrast</category><category>color balance rgb</category><category>color equalizer</category></item><item><title>Understanding Graduated Neutral Density Filters</title><link>https://avidandrew.com/understanding-gnds.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/gnds/gnd_final.webp" alt="final version of a sunset using a graduated neutral density filter" /&gt;&lt;br/&gt;A &lt;em&gt;graduated neutral density filter&lt;/em&gt; (or GND) goes over your lens and reduces the brightness (typically for about half of the image) without changing the color temperature. This is useful in scenes with high dynamic range where you can't correctly expose all parts of the scene (because it contains more EVs than your camera can capture). Let's learn about physical GNDs as well as creating software GNDs in darktable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 24 Nov 2024 09:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-11-24:/understanding-gnds.html</guid><category>mastering-darktable</category><category>exposure</category></item><item><title>Creating Color Harmonies With Fall Colors</title><link>https://avidandrew.com/fall-color-harmonies.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/fall_color_harmonies/woods_after.webp" alt="Scene of woods after color harmony adjustments" /&gt;&lt;br/&gt;Fall colors are a great opportunity to utilize analogous and complementary color harmonies in a scene. Let's see how to use the RYB color wheel to create a color harmony and bring fall scenes to life.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sat, 16 Nov 2024 07:30:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-11-16:/fall-color-harmonies.html</guid><category>mastering-darktable</category><category>color balance rgb</category><category>rgb primaries</category><category>contrast equalizer</category><category>color equalizer</category><category>exposure</category></item><item><title>Harnessing Darktable's Powerful Masks To Quickly and Easily Make Targeted Edits</title><link>https://avidandrew.com/harnessing-darktable-masks-easily.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/masks/masks_after.webp" alt="final version of path and mountains with targeted adjustments" /&gt;&lt;br/&gt;Darktable's powerful &lt;em&gt;drawn masks&lt;/em&gt; and &lt;em&gt;parametric masks&lt;/em&gt; let you quickly and easily make targeted edits to only part of an image. Let's learn how to use both types of masks and then make several example adjustments.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 09 Oct 2024 17:30:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-10-09:/harnessing-darktable-masks-easily.html</guid><category>mastering-darktable</category><category>exposure</category><category>rgb primaries</category><category>color balance rgb</category><category>contrast equalizer</category></item><item><title>Make Photos Sharp From Front To Back With The Hyperfocal Distance And A Wide-Angle Lens</title><link>https://avidandrew.com/hyperfocal-distance-wide-angle-lenses.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/hyperfocal/hyperfocal_after.webp" alt="final improved view of lake and mountains all in focus" /&gt;&lt;br/&gt;When shooting a scene with elements at a wide variety of distances from the camera, like a landscape, you can easily end up with some elements of the scene out-of-focus. Fortunately, by understanding the &lt;em&gt;hyperfocal distance&lt;/em&gt; and using a wide-angle lens, you can easily ensure your photo is sharp and in-focus from front to back.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Mon, 23 Sep 2024 18:30:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-09-23:/hyperfocal-distance-wide-angle-lenses.html</guid><category>mastering-darktable</category></item><item><title>Correcting Lens Flare When Shooting Into The Sunlight</title><link>https://avidandrew.com/correcting-lens-flare.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/lens_flare/one_after.webp" alt="final improved view of mountains with no lens flare" /&gt;&lt;br/&gt;Sometimes a great shot involves pointing your camera in the direction of the sun. Even if it isn't actually present in the field-of-view, direct sunlight can still cause distortions in the image called &lt;em&gt;lens flare&lt;/em&gt;. Fortunately, darktable provides some powerful tools for correcting these aberrations.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Mon, 26 Aug 2024 18:30:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-08-26:/correcting-lens-flare.html</guid><category>mastering-darktable</category><category>retouch</category><category>colorize</category><category>color balance rgb</category></item><item><title>Effortlessly Make Targeted Color Adjustments With Color Equalizer</title><link>https://avidandrew.com/color-adjustments-color-equalizer.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/color_equalizer/strawberries_after.webp" alt="final version of purple strawberries" /&gt;&lt;br/&gt;The new &lt;strong&gt;color equalizer&lt;/strong&gt; module in darktable 4.8 brings an easy, scene-referred approach to targeted color adjustments using familiar hue, saturation, and lightness/brightness tabs.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Thu, 27 Jun 2024 22:40:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-06-27:/color-adjustments-color-equalizer.html</guid><category>mastering-darktable</category><category>color equalizer</category></item><item><title>Create Focus In A Busy Scene With Selective Color</title><link>https://avidandrew.com/focus-selective-color.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/selective_color/car_after.webp" alt="final selective color version of vw beetle" /&gt;&lt;br/&gt;Sometimes a composition is quite busy and it's hard to isolate focus on the main subject. Using selective color to make the subject stand out can not only quiet down the image but also add add an element of contrast to the scene. Let's look at several examples.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 19 May 2024 07:30:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-05-19:/focus-selective-color.html</guid><category>mastering-darktable</category><category>color calibration</category><category>retouch</category></item><item><title>Artistically Blending Colors Into A Scene</title><link>https://avidandrew.com/artistically-blending-colors.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/blending_colors/colorize.webp" alt="final improved sunset image using the colorize module" /&gt;&lt;br/&gt;Maybe you just missed the peak colors of a sunset, or maybe you just want to apply an artistic interpretation to a photo. Darktable offers powerful and easy-to-use tools for blending new colors into a scene; let's take a closer look at some different techniques for how to do this.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Fri, 15 Mar 2024 11:15:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-03-15:/artistically-blending-colors.html</guid><category>mastering-darktable</category><category>colorize</category><category>color balance rgb</category></item><item><title>Adjusting The Shadows and Highlights Using Tone Equalizer</title><link>https://avidandrew.com/shadows-highlights-tone-equalizer.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/tone_equalizer/haleakala_after.webp" alt="final improved view of Haleakala" /&gt;&lt;br/&gt;It's hard to overstate the power of the &lt;strong&gt;tone equalizer&lt;/strong&gt; module in darktable: it can perform tone adjustments on the whole image or only a certain luminance range and preserve details throughout the process. This module has a lot of options, which can seem intimidating at first (especially if coming from Adobe Lightroom), so let's look at several example images to see how to use it.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 21 Feb 2024 19:30:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-02-21:/shadows-highlights-tone-equalizer.html</guid><category>mastering-darktable</category><category>tone equalizer</category><category>local contrast</category><category>diffuse or sharpen</category></item><item><title>Ubiquitous JPEGs Have Conditioned Us To Think Hue Shifts Are Normal</title><link>https://avidandrew.com/jpeg-hue-shifts.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/hue_shift/flower.webp" alt="final improved flower using filmic" /&gt;&lt;br/&gt;At first glance, the flower above might look fine. However, there is a hue shift going on which makes the flower look green/yellow even though it should be an orange/yellow. This phenomenon is present on a huge number of the JPEGs generated on-the-fly (also know as out-of-camera JPEGs) from smartphones and other devices.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Fri, 02 Feb 2024 22:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2024-02-02:/jpeg-hue-shifts.html</guid><category>mastering-darktable</category><category>filmic rgb</category><category>sigmoid</category></item><item><title>Changing Colors in a Scene</title><link>https://avidandrew.com/changing-colors.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/changing_colors/river_color_balance_rgb.webp" alt="final improved river scene"/&gt;&lt;br/&gt;When developing a photo, you may want to change the color of an object or set of objects in a scene while not altering other parts of the image. In this example, the autumn colors were just starting to change but would have appeared much more dramatic a week or two later. Let's show how we can use darktable with a couple of different methods to shift the scene to this later, more dramatic time period.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 17 Sep 2023 15:30:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2023-09-17:/changing-colors.html</guid><category>mastering-darktable</category><category>color balance rgb</category><category>color calibration</category></item><item><title>Reflections on Reflections and The Value of Circular Polarizers</title><link>https://avidandrew.com/reflections-on-reflections.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/reflections/lake_after.webp" alt="final improved reflections on the lake" /&gt;&lt;br&gt;Using a circular polarizer and knowing how to selectively enhance contrast with the &lt;strong&gt;local contrast&lt;/strong&gt; module can make reflections stand out and give an image a much more dramatic look.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Tue, 05 Sep 2023 22:00:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2023-09-05:/reflections-on-reflections.html</guid><category>mastering-darktable</category><category>local contrast</category></item><item><title>Sigmoid Makes Dramatic Black and White Simple</title><link>https://avidandrew.com/sigmoid-makes-dramatic-bw-simple.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/sigmoid_bw/petronas_after.webp" alt="final petronas towers in black and white" /&gt;&lt;br&gt;The new &lt;strong&gt;sigmoid&lt;/strong&gt; module in darktable 4.2 makes it easy to create dramatic black and white compositions. While there are many ways to achieve this effect in darktable, &lt;strong&gt;sigmoid&lt;/strong&gt; makes it fast and easy.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Sun, 01 Jan 2023 23:30:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2023-01-01:/sigmoid-makes-dramatic-bw-simple.html</guid><category>mastering-darktable</category><category>exposure</category><category>sigmoid</category><category>color calibration</category><category>tone equalizer</category></item><item><title>Reducing Chroma Noise in Water</title><link>https://avidandrew.com/reducing-chroma-noise-in-water.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/chroma_noise_water/water_final.webp" alt="water with less chroma noise"/&gt;&lt;br/&gt;Review multiple techniques for reducing chroma noise in the water of seascape scenes.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Fri, 09 Dec 2022 07:50:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2022-12-09:/reducing-chroma-noise-in-water.html</guid><category>mastering-darktable</category><category>contrast equalizer</category><category>chromatic aberrations</category><category>denoise (profiled)</category></item><item><title>Selective White Balance on Part of a Photo</title><link>https://avidandrew.com/selective-white-balance.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/selective_wb/selective_wb_final.webp" alt="final image with selective white balance" /&gt;&lt;br/&gt;Adjusting the white balance of a photo is a fundamental skill needed when developing RAW files. In this tutorial, we take it a step further and show how to use darktable's powerful &lt;em&gt;selective&lt;/em&gt; white balance to use different white balance settings on specific parts of the image. Typically, this would be used to correct the color from multiple light sources (each with different color temperatures), but in this case we'll use it to keep the subject neutral while adding a creative effect to the background.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Fri, 24 Jun 2022 14:30:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2022-06-24:/selective-white-balance.html</guid><category>mastering-darktable</category><category>color calibration</category></item><item><title>Highlighting The Subject Using RGB Channels</title><link>https://avidandrew.com/highlighting-the-subject-using-rgb-channels.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/highlighting_using_rgb/highlighting-using-rgb_after.webp" alt="enhanced image of blue butterfly" /&gt;&lt;br/&gt;Mastering the channel mixer allows you to not only adjust white balance, but also creatively color grade a photo to set the mood, change the luminosity, and make local adjustments to specific areas of the photo. In this example, we use &lt;strong&gt;color calibration&lt;/strong&gt; to highlight a subject when the surrounding content, in this case the green foliage, is naturally brighter than the subject and thus pulls your focus away. We can counteract this using channel mixer in &lt;strong&gt;color calibration&lt;/strong&gt;.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Mon, 30 May 2022 08:00:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2022-05-30:/highlighting-the-subject-using-rgb-channels.html</guid><category>mastering-darktable</category><category>color calibration</category></item><item><title>Use Color Contrast To Enhance a Scene</title><link>https://avidandrew.com/color-contrast.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/color_contrast/leaves_after.webp" alt="leaves with color contrast"/&gt;&lt;br/&gt;When you think of contrast, you are probably thinking of luminosity contrast, but color contrast can play an important role in creating a vibrant, dynamic image too.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 30 Mar 2022 22:20:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2022-03-30:/color-contrast.html</guid><category>mastering-darktable</category><category>color calibration</category></item><item><title>Directing Attention in a Scene</title><link>https://avidandrew.com/directing-attention.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/creative/directing_attention/directing_attention_after.webp" alt="final image of field with table"/&gt;&lt;br/&gt;Darktable's powerful parametric masks, combined with the ability to layer multiple instances of a module with a separate set of adjustments applied to each, makes it possible to quickly make high-impact edits. In this example, an additional exposure module directs the viewer's attention to the picnic table, the focal point of the image.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Wed, 16 Mar 2022 23:00:00 -0500</pubDate><guid isPermaLink="false">tag:avidandrew.com,2022-03-16:/directing-attention.html</guid><category>mastering-darktable</category><category>exposure</category><category>tone equalizer</category><category>color balance rgb</category></item><item><title>The Darktable Scene-Referred Workflow</title><link>https://avidandrew.com/darktable-scene-referred-workflow.html</link><description>&lt;p&gt;&lt;img src="/images/darktable/fundamentals/scene_referred_workflow/final.webp" alt="final sydney opera house"/&gt;&lt;br/&gt;Quickly get started with the darktable scene-referred workflow using easy, step-by-step instructions. Learn the purpose of each step rather than just clicking buttons and moving sliders, so these actions become intuitive when developing your photos.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Avid Andrew</dc:creator><pubDate>Fri, 22 Jan 2021 23:00:00 -0600</pubDate><guid isPermaLink="false">tag:avidandrew.com,2021-01-22:/darktable-scene-referred-workflow.html</guid><category>mastering-darktable</category><category>lens correction</category><category>highlight reconstruction</category><category>exposure</category><category>filmic rgb</category><category>sigmoid</category><category>tone equalizer</category><category>local contrast</category><category>diffuse or sharpen</category><category>contrast equalizer</category><category>white balance</category><category>color calibration</category><category>color balance rgb</category><category>color equalizer</category><category>rgb primaries</category><category>color look up table</category><category>lut 3D</category><category>crop</category><category>rotate and perspective</category><category>haze removal</category><category>denoise (profiled)</category><category>chromatic aberrations</category><category>hot pixels</category><category>retouch</category></item></channel></rss>